Seedance 2.5 Prompts

A high-end, intensely cinematic 30-second 3D motion-graphics sequence in a refined steampunk and vintage-miniature style, with continuous, fluid orbiting and tunneling camera moves. [0-10s]: A macro close-up of an antique brass clock face that miraculously unfolds layer by layer into interlocking rotating gear rings and volumetric fog. The camera dives down through the gears, where an Ornithopter is spiraling up out of a miniature canyon built from stacked, weathered antique books. [10-20s]: The camera follows the ornithopter's trajectory as it glides forward, seamlessly passing into an ornate, fast-spinning brass Zoetrope whose interior projects the dynamic light and shadow of galloping mechanical horses. The light leaps out of the box and the scene instantly becomes a brass-textured floating cable car, threading along faintly glowing copper rails through a forest of mechanical gears, bathed in cinematic golden-hour light. [20-30s]: The camera pans gracefully downward and a delicate clockwork wooden sailing ship appears beneath the cable car, cutting through rolling waves of deep-blue glass material. The end of the waves seamlessly evolves into a glowing giant moon, where a group of silhouetted explorers holding swaying lanterns trudge along a crystal-vein ridge under a starry sky. The camera spirals smoothly outward, passing through ethereal clouds, back to the grand, ticking brass clock face. Technical specs: hyper-real mechanical textures, rich brass and gold tones, cinematic shallow depth of field. Smooth, continuous, seamless tunneling camera moves, with a powerful epic and fantastical adventure atmosphere.

A fast-paced, cinematic match-cut short synced to a driving electronic beat. A flawless crystal ball stays fixed dead-center the entire time, with a glowing 'seedance' logo etched inside it. The crystal ball stays in razor-sharp focus while, on every powerful drum hit, the background switches seamlessly at high speed: Scene 1: Macro close-up, cinematic water splashing around the crystal ball, refracting intricate light and shadow. Scene 2: A vintage morning cafe, the crystal ball resting on a raw-wood tabletop, with rising coffee steam and a blurred stream of commuters out the window behind it. Scene 3: Golden hour at dusk, a skateboarding youth tossing and catching the crystal ball one-handed, against a fast-receding streetscape and gorgeous backlit sunset. Scene 4: A frenzied music festival, hands raised high holding the crystal ball, refracting the dazzling stage lasers behind it. Scene 5: A lively family party table, the crystal ball resting at the center, with blurred figures toasting and reaching for food in the background. Scene 6: A dim movie theater, hands cupping the crystal ball as the faint glow of the huge screen flows across its surface. Scene 7: The crystal ball on a violently vibrating speaker membrane, seamlessly cutting at the music's climax to the spinning center of a DJ turntable. Scene 8: A night of outdoor camping, the background becoming a warm bonfire and the swaying bokeh of string lights. Toss finale: On the final accent of the music, the crystal ball is thrown high out of the top of frame; an instant cut to a pure black background, where a minimalist white-on-black 'seedance' appears dead-center. Cut tightly to the rhythm of the energetic BGM (beat-synced transitions), top-tier cinematic color grading. Photoreal glass refraction and transmission material, complex ray tracing, global illumination. The subject is razor-sharp while the background carries strong motion blur for maximum visual impact.

A cinematic brand-concept short. [reference image 1] is the opening frame: the image trembles slightly as the camera slowly pushes in toward tree shadows rushing past outside the window; the shadows recede faster and faster, then suddenly cut to [reference image 2], where the speed abruptly slows and the camera drifts gently forward along a stream, full of birdsong and blossoms. The camera moves down, going underwater, with the sound of bubbles; a school of orange jellyfish drifts gracefully past the lens [reference image 3]. The camera slowly pulls back, a school of small fish flickers past and swims from the water through into the window [reference image 4], where a young girl looks left and right, watching the little fish. The camera slowly pulls back, the image goes out of focus, then refocuses and sharpens, switching in time with the music: a Chinese-garden lattice window [reference image 5] with light spinning through it, a stained-glass church window, an airplane porthole, a domed skylight, a bay window, venetian blinds, a European dormer window, a peephole in a door, a camera viewfinder, a bird's eye, and a macro close-up of a human eye. The image holds on the human eye close-up, then the eye closes, the screen goes black, and the eye suddenly opens again, with 'seedance' appearing at the center of the eye on a strong accent.

A 15-second seamless looping creative text-animation video, 4K, 30fps. Each language lasts about 1.2s; transitions are achieved through text dissolving, morphing, or particle scattering, with no hard cuts. The background music has a clear rhythm with strong beat-sync. 0-1.2s Chinese "创造" - Op-art optical-illusion pure-black background, black-and-white concentric circles radiating outward from the center into a visual tunnel. White 3D Chinese characters "创造" slowly protrude from deep within the center toward the lens, bold sans-serif with subtle edge shadows. The concentric circles ripple and distort as the text advances, like ripples on water. After fully protruding, the text pauses, then dissolves into scattering blue crayon particles. 1.2-2.4s English "CREATE" - Hand-drawn crayon on warm-yellow kraft-paper texture; rough blue crayon strokes write out the uppercase "CREATE" stroke by stroke. The strokes carry obvious crayon grain and overlap marks, the final crossbar of the E tilting slightly upward. Once finished, the letters have a faint waxy sheen and faint pencil guidelines appear in the background. The text is then sucked into CRT scanlines and vanishes. 2.4-3.6s Spanish "CREAR" - A retro arcade cabinet in a dark frame, the central CRT screen carrying fine scanlines and phosphor grain. Blue-purple gradient 3D pixel letters "CREAR" rise from the bottom, the letter surfaces animated with wave-like white ripples and edges glowing neon blue. "CREDIT 00" sits top-left and "INSERT COIN" blinks bottom-right. The text then pixelates and crumbles into indigo batik patterns. 3.6-4.8s Indonesian "CIPTAKAN" - Batik fabric, deep-indigo traditional Indonesian batik background with fine parabolic patterns. White serif "CIPTAKAN" slowly rises from beneath the fabric like gold foil embossing, the fabric rippling realistically as the text emerges. After it appears, wind lifts the fabric and golden flecks scatter, turning into Islamic geometric patterns. 4.8-6.0s Malay "CIPTA" - Islamic geometry. Deep-green velvet background, golden arabesque geometric patterns spreading from the four corners toward the center. White classical serif "CIPTA" rotates into view from the center, the letters ringed by star patterns with gold-dust particles drifting down. The text is then engraved letter by letter into a black metal plaque by a golden carving blade. 6.0-7.2s Thai "สร้างสรรค์" - Gold-leaf engraving on a black background, the Thai "สร้างสรรค์" rendered in gold as if carved from an ancient temple plaque. The text surface has a subtle gold-leaf flaking animation revealing dark-red primer beneath, with golden flecks scattering. Once carved, the text melts into dripping silver mercury. 7.2-8.4s Arabic "إبداع" - Mechanical flip-board. A black metal split-flap display fills the whole frame, mechanical flaps clacking and flipping in sequence. White pixel-grid Arabic "إبداع" appears letter by letter from right to left, each letter's flip accompanied by precise mechanical motion and slight vibration. Once the flipping is done, the text is swept up by a storm of colorful samba feathers. 8.4-9.6s Portuguese "CRIAR" - Carnival feathers. Black background, colorful samba feathers converging from the frame edges toward the center to form a giant feather fan. White bold "CRIAR" bursts out from the center of the fan, the feathers flying outward with the text's impact, the text surface carrying Carnival glitter reflections and green-yellow-blue Brazilian-flag light spots flickering. The text is then washed away by black ink. 9.6-10.8s Vietnamese "SÁNG TẠO" - Ink on silk. Off-white silk background, black ink slowly flowing from the top of the frame, gradually forming the Vietnamese "SÁNG TẠO". The ink produces natural bleeding edges on the silk, some droplets dripping down into hanging ink beads. Once finished, wind lifts the silk to reveal a lotus pattern beneath, and the text crystallizes into a transparent glass ball. 10.8-12.0s Japanese "創造" - Optical glass. A perfect transparent optical glass ball floats at the center of a pure-black background, refracting rainbow dispersion light spots. Behind the glass ball, the Japanese kanji "創造" appears as rainbow dispersion projection, rotating slowly with the ball, the text undergoing twisting, stretching, and separating optical distortion. The glass ball's surface has fine dust particles, then the ball melts into silver liquid metal. 12.0-13.2s Korean "창조" - Liquid metal. A deep starry-sky background, silver liquid mercury dripping from the top of frame, naturally coalescing in mid-air into the Korean "창조". The liquid text surface has strong mirror reflection, mirroring the surrounding stars. After the text forms, some mercury keeps dripping down into hanging metal beads, until all the liquid metal converges into one giant silver sphere.

[Overall style] A 24-second haute-couture, brand-grade visual film with an intensely cinematic, high-end texture. The image emphasizes dreamy bokeh, silky motion-blur transitions, volumetric lighting, and hyper-real material detail. [Shot breakdown] [0-5s]: Dreamy prologue and macro close-up. An extremely high-quality macro close-up. A slender hand reaches into the air, fingertips touching star-bright, shimmering colorful bokeh. As the light flows, a seamless silky transition leads to an elegant woman in a pure-white sheer gown, entranced as she plays a vintage piano. Shallow depth of field, the background blurred into a beautiful teal palette. [5-15s]: Then cut into a fluid follow shot: a woman in a French wide-brimmed straw hat and flowing white dress runs lightly through a dense flower path full of pink-orange roses and blue hydrangeas. Light filters through the leaves casting dappled shadows, perfectly showing the soft breeze, the realistic physics of the fluttering skirt fabric, and the hyper-real texture of the petals. [15-24s]: Serene aesthetics and light refraction. The pacing slows into an exquisitely beautiful slow-motion. A girl sits at a black wrought-iron table beside a European vintage gilded fountain, quietly reading. Crystal-clear soap bubbles float through the air, their surfaces perfectly refracting the surrounding flowers and warm sunlight. The moment water droplets splash is clearly visible, showcasing the model's top-tier rendering of transparent materials, water refraction, and complex lighting.

A deep-sea coral-reef scene, a blue-toned tropical underwater world with large expanses of healthy, thriving colorful living coral, including branching coral, brain coral, plate coral, and soft sea-fan coral, with large schools of tropical fish weaving naturally among them. The foreground is crisp and vivid; the distance gradually turns bluer and grayer with reduced contrast. Natural light from above is filtered through the seawater into soft volumetric light, with fine suspended particles and a gentle sense of flow in the water, the soft corals swaying lightly and the fish schools moving smoothly and in coordination. Add a group of semi-transparent pale-lavender glowing jellyfish slowly appearing, 8-12 of them, in varying sizes. Their bell bodies carry a soft bioluminescent effect, tentacles drifting gently with the current, the tentacle tips bearing faint purple light points. The jellyfish are proportioned harmoniously with the corals and fish, the glow soft and not harsh, forming dreamy light spots against the dark seawater background. The jellyfish swarm's movement path is natural, rising in a slow ascending spiral, with some jellyfish swimming past in front of the lens to produce a slight lens-flare effect. Maintain the underwater blue-toned lighting, the jellyfish glow coexisting harmoniously with the faint reflections of the surrounding coral. As the jellyfish swarm swims, they produce bubbles that rise and form the word "Seedance" in the sea.

Cinematic quality, high-end feel, a golden desert at dawn, a minimalist white art-museum building floating above the dunes, the building's surface carrying fine stone texture and soft reflections. Sunlight passes through the airborne sand to form volumetric light, with distinct layers of distant dunes. The camera starts on an ultra-wide desert panorama, slowly pushing forward, passing through the flying sand grains, into the interior of the floating building. Inside there are suspended sculptures, semi-transparent silk installations, and a character in a white robe, the fabric swaying naturally in the wind. The camera makes a smooth orbiting move around the character, and finally the building walls slowly open to reveal the vast sky and desert. High-end art-advertising style, realistic lighting, refined materials, cinematic composition, elegant motion, surreal yet believable.

A 30-second high-end brand-concept short with intense visual tension. It opens on a surreal upside-down angle, the camera flipping with gravity to reveal a model's feet in vintage suede boots stepping lightly onto rolling crimson dunes, a macro close-up on the boots' brushed-suede nap and the rough red sand grains clinging to them. Then it cuts into a montage full of weightlessness and dreamlike color: young male and female models falling weightlessly backward amid surging amber sandstorm and cold rim light; the camera cuts swiftly into razor-sharp facial close-ups - wind-blown sand drifting across lashes dusted with tiny golden grains, models wearing vintage metal-framed sunglasses whose curved lenses clearly reflect the blazing wilderness sun and the storm. Then, fingers wearing heavy distressed silver rings gently brush across a rugged, weathered rock wall and wildly swaying reeds. The imagery makes heavy use of expressive camera language: through an extreme low-angle macro lens, shooting up through the blurred, crystalline edge of a natural mineral crystal at the deep vast starry sky and explorers freely passing through it. Amid the grand scenes, high-quality partial close-ups are densely interspersed: the texture of coarse linen shirts flapping in the wind, the model's taut, cold jawline, and the sheen of sweat shimmering on the neck skin in backlight. Combining a fisheye lens, fast rotating camera moves, and silky visual-misalignment transitions, it creates an avant-garde, wild, tension-filled mysterious dynamism. At the short's climax, the camera dramatically pulls back, breaking the fourth wall to reveal that this is in fact a high-end virtual studio built with a giant LED star-trail ring sky-screen and a real red-sand array, perfectly colliding the desolate vastness of the wild with the avant-garde industrial sense of a real set. At the end, the pacing slows and returns to delicate texture close-ups: a woman with loose hair leans against a vintage off-road vehicle, the camera slowly sweeping across the body's mottled, peeling heavy-metal paint as she casually lets fine sand slip through her fingers. Cold, bright moonlight side-light precisely outlines the rugged fabric pores of the distressed leather jacket, the cold reflections off the heavy-metal zippers, and the woman's cold, three-dimensional facial contours. The whole presents a vintage film-grade color aesthetic, deep night-blue interwoven with blazing mineral orange, the image expansive, free, full of high-quality brand tension. Finally, the word "seedance" elegantly emerges at the center of the frame.

A Peking Opera intangible-heritage short, cinematic, oriental aesthetics, warm and restrained. In a traditional troupe's backstage and handcraft workshop, an old master quietly makes Peking Opera headdresses, arranges costumes, and outlines a painted face, the hand details delicate, the silk threads, beadwork, pigments, and embroidery all richly textured. A young apprentice watches attentively beside him, then carefully takes up the tools and completes the small steps under the master's guidance. The master straightens the apprentice's headpiece and adjusts his lapels, as if gently handing over a craft and an emotion into his hands. Finally the young man, fully dressed, stands at the edge of the stage about to go on, faint light illuminating the costume and his profile, the old master quietly watching from behind. The overall mood is quiet, heartfelt, and full of a sense of inheritance, with few subtitles and a few fitting lines of dialogue interspersed.

"Oceanic Civilization" (Epic sci-fi / Dune x Interstellar / no real people / sculptural lifeforms) [0-5s | Cosmic-scale opening - the ocean as planetary memory] A deep-blue ocean fills the full frame, the extremely deep water layered like a liquid universe inside a planet. The camera descends slowly and vertically from high altitude, passing through cloud layers and sea mist, into the surface. The sea surface ripples like a metallic film, refracting irregular cracks of sunlight, with intensely epic volumetric light. [5-10s | Entering the deep-sea civilization fault] The camera pierces the surface and enters the deep sea. A vast "undersea civilization structure" gradually appears: fractured ring-shaped megastructures, a sunken stone dome, floating geometric ruin platforms. The structural style fuses ancient temples with alien-civilization technology (like the Dune ruin language). Faintly glowing particles drift suspended in the water, like stardust slowly drifting through the sea. [10-15s | A sculptural lifeform appears (non-human)] At the center of the theater stands a giant sculptural lifeform: a "humanoid idol" made of white stone and semi-transparent minerals, but with no living detail (no skin, no real human features). Its posture is like an ancient ritual structure, the body in segmented geometric forms, like a civilization's memory vessel. The sculpture's surface is long-eroded by water currents, covered in algae and crystallized coral structures. The camera slowly orbits the sculpture, creating a "deity descending" feeling. [15-20s | The civilization awakens - light flow activates] The entire undersea ruin begins to "wake". Faint energy-flow light patterns appear inside the sculpture, lighting up like a neural network. Fractured stone pillars slowly rise and reassemble into a ring-shaped theater structure. The water begins to flow with "order", as if space is being recomputed. The camera moves from static orbit to a slight accelerating spin. [20-24s | The sea surface reverses - rising breakthrough] The camera suddenly accelerates upward and bursts out of the sea. The seawater separates to both sides as if torn open, forming a giant water curtain. A giant ancient-civilization ship/temple hull rises from the seabed: its form a hybrid of stone temple and sci-fi vessel, the surface covered in coral and mineralized structures. The hull rises with seawater cascading off it like waterfalls. [24-27s | Epic rotating shot (visual climax)] The camera spirals upward at high speed around the giant ship (spiral orbit shot). The sun pierces through a crack in the clouds, forming a sacred light column. The water currents are stretched into spiral forms by the rotation, like a galactic structure. The hull slowly rotates, revealing its enormous structure: more like a "mobile civilization ruin" than a vehicle. [27-30s | Ultimate wide shot - the scale of civilization revealed] The camera pulls back at extreme speed to a space-level view. The ocean, the ruins, the rising giant ship, and the sculptural temple are arranged vertically in the same frame: forming a three-tier cosmic structure of "undersea civilization - sea surface - sky light layer". The whole world is like an awakened ancient-planet memory system. The final image slowly closes into a black screen, leaving only faint light points. Epic sci-fi aesthetic / Dune-style sand-sea civilization structure / Interstellar-scale spatial dimension / no-character narrative / sculptural civilization ruins / alien temple structures / volumetric light penetrating seawater / megastructure collapse and reassembly / sacred ritual camera language / spiral camera moves / stardust-particle ocean / high-dynamic-range cinematic realism.

The theme is "mechanical flower bloom". The image needs to highlight the generative video model's strengths in lighting and shadow, art detail, realism, camera movement, and cinematic character feel. The overall style is a high-end tech-brand ad with strong visual impact. The video uses a single-take macro push-in shot, starting from a metal flower bud in darkness, gradually entering the precision mechanical structure inside the petals, and finally climaxing on the image of the mechanical flower fully blooming with light radiating outward. It requires realistic physical lighting, refined metal and glass materials, delicate mechanical motion, stable composition, cinematic color grading, no subtitles.

Overall style: mineral-pigment flat animation, Oriental and Silk Road decorative aesthetics, mineral-pigment texture, cinnabar red, ochre, malachite green, ultramarine, with gold accents, paper and mural texture, flat layering, no real photography, no 3D realism. The pacing moves from still to motion, then back to stillness, highlighting the "from the land to the cup" sense of journey and abundance, with cheerful, Western-Regions-style music. Shot 1: A branch appears, an abundant opening (0-4s). Ochre and vermilion color blocks bleed across a Silk Road painted-paper surface; a pomegranate branch stretches out from the right side of the frame, the leaves heavy with distinct mineral-pigment layers. A plump pomegranate slowly appears on the branch, its shell red tinged with gold, the contour round and serene. Sunlight falls on the skin as golden discs and gold-leaf flecks, the pomegranate surface glowing warmly, like a fruit ripened by time - an opening that is abundant yet restrained. Shot 2: Gently picked, the journey begins (4-7s). The pomegranate is gently picked by a Western-Regions handmaiden, the movement steady and graceful. The background gradually reveals scrolling-grass patterns, ancient motifs, and a decorative long-scroll composition, hinting that it comes from a distant land. The frame transitions naturally from the static branch into an unfolding journey, mountains, roads, and towns beginning to spread flatly in the background, like a Silk Road scroll being slowly opened. Shot 3: Crossing the ancient road, over mountains and rivers (7-13s). A camel-caravan silhouette advances slowly, the bells shown as tiny gold dots marking rhythm, the pomegranate appearing in a camel's pack. The ancient road crosses dunes, oases, and city gates, wind and sand sweeping past as flowing patterns, gold-lined roads extending endlessly into the distance. The colors are rich and refined, like Silk Road murals fused with mineral-pigment illustration. The pomegranate stays vivid and plump throughout the long journey, as if preserving the sunlight, heat, and abundance of a distant land to this day. Shot 4: An ancient-to-modern transition, arriving in the present (13-16s). The ancient patterns and architectural outlines in the background gradually simplify, time quietly transitioning to a modern space. The pomegranate is placed on a modern counter, the table and vessels rendered in clean flat geometry, the ancient and modern visuals connected in the same frame, the pacing shifting from "long journey" to "arrival". Shot 5: Cutting open the pomegranate, the visual climax (16-20s). A hand gently cuts open the pomegranate, the movement slow and restrained, the instant the shell splits open full of ceremony. Shot 6: Pressed into juice, abundant flow (20-24s). The seeds enter a vessel and are pressed into rich pomegranate juice, the liquid flowing with a deep-red translucent quality and fine mineral-pigment grain. The juice is slowly poured into a modern glass, the glass outline clean and simple, the red liquid rising in the cup, its surface rippling with faint highlights. A few ice cubes drop in, the cool white forming a sharp contrast with the deep red, fine droplets forming on the glass wall, the refreshing feel maxed out. Shot 7: Modern drinking, the journey lands (24-27s). The background cuts to a modern life scene, window light, tabletop, fabric, and plants keeping a flat decorative quality and warm palette. The juice glass sits at the center, the ancient road, caravan, and city-gate patterns faintly layered around it, hinting that this glass of juice comes from a long journey. The mood is abundant, warm, and serene. Shot 8: Time converges, a poster-style close (27-30s). The ancient-road patterns and modern space in the background gradually merge, like time converging into this glass of juice. The frame briefly flashes back to the pomegranate on the branch, the caravan shadows on the ancient road, and the red seeds, completing the "from the land to the cup" loop. Finally it closes into an ad-poster composition: the deep, vivid pomegranate juice at the center, a split pomegranate beside the cup, ancient-road patterns, golden light points, and modern-life elements layered around, the image quiet yet full of life, like a journey across time and land finally arriving in the present, with the tagline "seedance, a gift from the Western Regions".

One take, the camera smoothly follows a man in a black coat (see [reference image 1]) walking left to right through six connected rooms with different tones and atmospheres. Each room has the same structure: white walls, light-colored herringbone wood floor, French double floor-to-ceiling windows, white sheer curtains, see [reference image 2], but the view outside the window and the indoor atmosphere are completely different. The protagonist walks at a constant speed throughout, passing through each open door in the walls. 0-5s, the first room, themed as an American-comic fight scene; the protagonist enters and fights a character ([reference image 3]), who is defeated. 5-10s, the second room, themed warm, felt style, the window view a sunflower field ([reference image 4]), the indoor light a warm orange soft glow, with a painter painting sunflowers ([reference image 5]). After entering, the protagonist also turns into felt style. 10-15s, the third room, themed sad, the whole image a black-and-white comic stop-motion style, rainy outside the window, the indoor light cold gray and low, a person sitting alone in the center of an empty room on the floor, head down hugging their knees, beside them a phone glowing with an unanswered call screen. After entering the room, the protagonist turns off the room light, then immediately turns it on, the room becoming colorful, instantly growing full of flowers. 15-20s, the fourth room, themed joyful, the whole scene a room submerged in the sea, see [reference image 6], the protagonist swims into the room, beautiful coral reefs and fish schools beside him. 20-25s, the fifth room, themed surprise, the window view a night sky full of fireworks, see [reference image 7], the indoor light flickering with colored reflections, the protagonist swept up in the cheering atmosphere. 25-30s, finally the protagonist arrives in a blank room, stands in the center and snaps his fingers, with a finger-snap sound effect, the whole image goes black, and "seedance" appears in the middle, see [reference image 8]. Overall cinematic quality, high-end fashion-ad style, the light entirely determined by the scene outside the window to form strong emotional contrast, no text in the image.

Make a 30-second educational short about the 3000-year evolution of football, using the same ball as the visual through-line for the whole film, the ball rolling, traveling, and transforming all the way from ancient times, linking different civilizations and eras. The overall pacing is tight, the imagery high-end, blending historical educational short and artistic transitions, highlighting the feeling of one ball spanning three thousand years, with concise, powerful voiceover. At the opening, an ancient ball slowly emerges from a black background, its surface bearing the texture of age, then rolls into a Warring States cuju scene in China, the image turning into ink-wash style, in the style of [reference image 1], ancients in period costume playing cuju in a courtyard, movements elegant, the ball bouncing at their feet. Voiceover: The football story begins with cuju. Next, the ball keeps rolling forward, the image transitioning naturally to an ancient Greek ball game, the image in classical oil-painting style, style referencing [reference image 2], the plaza and stone columns clearly visible, people in ancient Greek robes playing ball, the image weighty and historical. Voiceover: The Greeks also loved ball games. Then the ball rolls into medieval Europe, the image still in oil-painting style, a village, muddy ground, common folk chasing a leather ball, the atmosphere fervent and rough, like folk football carrying the flame onward. Voiceover: The folk of Europe kept ball games alive. Then the ball is kicked away, the image switching to black-and-white documentary style, see [reference image 3], arriving in 1863 Britain, gentlemen, clubs, and grass pitches gradually appearing, symbolizing the formal birth of modern football, this ball taking on the standard look of a modern football for the first time. Voiceover: In 1863, modern football took shape. Then the image quickly enters the modern era, the ball spinning in the air, bringing out key milestones in turn, lights, stadiums, crowds, trophies, and global scenes interweaving, showing football going from a local sport to a global one. At the end, this ball sits at the center of a modern stadium, crowds and cheers from around the world blending in the background, creating a "one ball connects the world" feeling, the image grand and epic. Voiceover: Today, football connects the whole world.

A 30-second capsule coffee machine installation and setup tutorial video. 0-2s, the opening title text reads: seedance capsule coffee machine installation and use tutorial 2-5s, Step 1: install the water tank, see [reference image 1] Shot: medium shot, slight high angle. Position: back of the machine body. Action: align the water tank with the slot on the back of the body, push it straight down until it clicks into place. Requirement: clearly show the alignment between the tank's bottom clip and the body's slot, the transparent part of the tank showing the water level line. Voiceover: "First, install the water tank." 5-9s, Step 2: install the drip tray, see [reference image 2] Shot: close-up, front view. Position: front of the bottom of the body. Action: push the drip tray parallel into the rails at the bottom of the body until it fully seats at the bottom. Requirement: show the rail-alignment process, highlighting the smoothness of the sliding-in action. Voiceover: "Next, align the tray with the bottom rails." 9-13s, Step 3: install the used-capsule collection box, see [reference image 3] Shot: close-up, slight low angle. Position: the cavity beneath the drip tray. Action: align the collection box with the recess and push it in, flush with the drip tray. Requirement: show how the collection box fits with the body, confirming it is seated correctly. Voiceover: "Then insert the capsule collection box." 13-18s, Step 4: first fill with water, see [reference image 4] Shot: close-up, side view. Position: top / back water tank of the body. Action: open the tank lid, pour in clean water up to the MAX water level line, close the tank lid. Requirement: highlight the water level marking, the water pouring in clearly visible. Voiceover: "Open the tank lid and pour in clean water. Be careful not to exceed the maximum water level line." The image highlights the maximum water level line. 18-25s, Step 5: power on, see [reference image 5] Shot: medium shot, front view. Position: front of the body. Action: plug in the power cord, press the power button, the indicator light changes from blinking to steady (preheating complete). Requirement: close-up of the power button and indicator-light state change, showing the process from waiting to ready. Voiceover: "Connect the power and press the power button." 25-30s, Step 6: first rinse (no capsule), see [reference image 6] Shot: medium to close-up, front-side view. Position: front of the body, cup under the spout. Action: without inserting a capsule, press the brew button directly, hot water flows out to rinse the lines, the water flows into the cup. Requirement: emphasize the "no capsule needed" prompt label, showing the whole rinse-water flow. Voiceover: "Last step, the first rinse. No capsule needed, just press the brew button. Your coffee machine is now ready to use."

Core directive: a full 26-second one-shot narrative short, steady tracking, see [reference video 1], interwoven with smooth orbiting camera moves, see [reference video 2]. A smooth sense of forward motion. Within the single shot, day-and-night alternation and the change of the four seasons occur. The protagonist is a European woman [reference image 1], set amid a sea of people full of bustling life, highlighting an extreme sense of loneliness and cinematographic quality. Segmented camera moves and scene descriptions: 0-3s (steady back-follow): An old wooden door [reference image 2] creaks open, the camera following close behind the back of the European woman wearing [reference image 3] as she steps out. She pauses briefly at the threshold, the light and shadow of the street ahead dappled, the cries of vendors and the crowd's noise rushing at her. Her expression detached, she slowly steps forward and melts into the street. 3-6s (back-side tracking): The camera keeps following smoothly as she steps into a crowded morning market, the atmosphere referencing [reference video 3]. Both sides are packed with richly colored fruit stalls and spice shops, a troupe of street jugglers spitting fire dragons, see [reference image 4], the firelight lighting up the crowd, but she looks neither left nor right, walking through at a steady pace. 6-9s (smooth side orbit): The camera begins to orbit smoothly toward the front-side, capturing the protagonist's profile. She passes a noisy butcher's stall [reference image 5], a young mother holding a baby [reference image 6] brushing past her, the baby staring at her curiously, but she only lowers her eyes slightly to avoid the gaze, not pausing at all. 9-12s (front retreating tracking): The camera continues around to directly in front of the protagonist, tracking backward. The crowd ahead suddenly parts to both sides naturally like the parting of the sea, a huge elephant draped in ornate red cloth [reference image 7] striding steadily into frame from the right, taking up most of the image. 12-15s (gap-threading and circling back): At the moment the woman and the elephant are about to collide, the camera deftly slides through the narrow gap between the elephant and the woman, circling back to her back again. The elephant passes by, vast and quiet, mischievous children cheering and chasing it. The elephant bells and laughter are deafening, yet she does not even slow her steps. 15-18s (gradual shift of environment light): As she walks, the light and shadow within the long take shift magically - the harsh high-summer sun instantly softens, a gust of wind sweeps up a sky full of golden leaves [reference image 8], the seasons seamlessly transitioning to late autumn within the same long take. Falling leaves brush her shoulders. 18-21s (360-degree immersive orbit): Ahead suddenly plunges into a grand street celebration [reference image 9]. The air spits out a sky full of streamers and confetti, vendors leaning out to cheer. The camera here unfolds a continuous 360-degree orbiting move, forming an extremely strong visual rupture between the quiet, lonely protagonist and the frenzied surroundings. 21-24s (circling back to the rear-side): When the camera finishes a full circle and returns to her rear-side, the falling streamers have quietly turned into a sky full of snow - winter arrives in an instant [reference image 10]. Pedestrians put up umbrellas or pull on hoods one after another, the woman shivering slightly, turning up her coat collar, her clothing changing to [reference image 11], continuing alone through the snow. 24-26s (slow push-in tracking): As she walks toward the end of the long street, the sky darkens visibly as she moves, day seamlessly sinking into night. The dim yellow streetlights and stall bulbs on both sides light up one by one [reference image 12], vendors packing up their goods, the noise as if slowly absorbed and pulled away by the heavy snow, her steps gradually slowing. The night sky suddenly bursts with a grand display of fireworks [reference image 13], the firework sound referencing [reference audio 1], the colorful light spots flickering and leaping across the building walls and in her eyes. The world is as lively as ever, while she quietly looks up, the camera slowly pulling back, gently closing here.

Bright, colorful commercial-ad style, with fruit biscuits as the hero, featuring four flavors - strawberry, apple, grape, and orange - the strawberry flavor referencing [reference image 1]. The biscuits and their matching fruits are arranged in a strongly ordered geometric array, the overall image clean, high-end, and strongly rhythmic. The opening quickly establishes visual focus with fruit, referencing the composition of [reference video 1], the music's downbeat cutting in. Then the different-flavor biscuits line up neatly, cut to close-up, referencing the motion and camera moves of [reference video 2]. In the climax segment, a biscuit is snapped in half, instantly entering slow motion, the fruit filling bursting open, crumbs flying, the juicy feel and grain impact magnified and showcased, referencing the impact of [reference video 3]. A horizontal array forms a rhythmic parabolic toss, referencing the motion of [reference video 4], highlighting the orderly beauty and product richness. Then it quickly returns to fast-paced editing. At the end, the English text "One bite of crispness, a heart full of delight" cuts in rapidly word by word, paired with strongly rhythmic text motion and a product freeze, referencing [reference video 5], finally closing with a brand feel, the biscuits and fruit radiating outward, referencing [reference video 6], the image full of a young, energetic, delicious, share-worthy ad atmosphere.

3D animation ad style, bright and translucent colors, the pulp and juice should have a strong refreshing, impactful feel. The overall vibe is like a high-quality commercial animation short, with a touch of exaggerated humor. The desert horned lizard character is cute, lively, and very expressive, see [reference image 1]. The image texture references the soft natural light, delicate fuzz / skin texture, dreamy macro depth of field, and that real-yet-playful feel in the reference image. 0-3s: The image is a desert scorched by the blazing sun. The air is so hot it distorts, the sand is scalding, the distance seems to smoke. A desert horned lizard lies on the burning sand, tongue lolling slightly, eyes glazed, almost dried out. It sways with every couple of steps, the whole lizard about to "evaporate". Sound: the whoosh of heat waves, slight exaggerated cracking sounds. 3-6s: The lizard suddenly stops, its nose twitching. It looks down and there, buried in the sand, is a cool, plump, dew-covered grapefruit. The grapefruit glitters in the sunlight, the skin delicate, like a miracle suddenly appearing in the desert. Performance: the lizard's eyes go wide in an instant, like spotting a lifeline. Sound: a "ding" discovery sound effect. 6-8s: The lizard makes a flying lunge, both hands clutching the grapefruit tightly, its whole face pressed against the rind. It shows a "finally alive again" blissful expression. The image freezes for 1 second, forming an exaggerated, funny ad memory point. Sound: a thud, then half a second of silence. 8-11s: The lizard grabs the grapefruit. The grapefruit rind splits open, the plump pulp inside glistening with translucent sheen. The next instant, the juice doesn't trickle out - it gushes out like a tsunami. Sound: a "crack" bite-open sound, followed by an exaggerated juice-bursting sound. 11-16s: Orange-pink, clear, glistening grapefruit juice gushes wildly, pouring down the dunes, quickly flooding the entire desert. The dry yellow sand instantly becomes a cool, shimmering, fruit-scented summer sea. The cacti, rocks, and small dunes in the desert are swallowed one by one by the juice waves, the image exaggerated and dreamy. Performance: the lizard is excited at first, then the next second realizes something's wrong, its expression turning from delight to terror. 16-20s: The lizard is nearly drowned by the "grapefruit sea", frantically clutching half a grapefruit like a life buoy, floating on the surface. It pokes its soaking head out, looking utterly dazed. The sea surface sparkles, the color like juice lit by the sun. Sound: exaggerated splashing, sea sounds, with a touch of comedy. 20-23s: The image suddenly cuts to a white screen. In the center appear the brand name and slogan: "Seedance Grapefruit, bite into the pulp, and summer pours out." Voiceover reads the whole line: "Seedance Grapefruit, bite into the pulp, and summer pours out." Sound: a clean, refreshing brand chime. 23-29s: The white screen cuts back. The lizard is now leisurely sitting on a floating grapefruit, wearing little sunglasses, holding a straw cup, drifting lazily on the "juice sea" on vacation. Around it float orange pulp, little ice cubes, and cool splashes, the sky turning azure, the mood shifting from "survival" to "vacation" in an instant. Finally the lizard leans contentedly against the grapefruit, the camera pulls back, freezing on a refreshing, bright, fun summer scene. Sound: relaxed summer music, gentle lapping waves. Subtitles can keep only the brand name, no need to add too much text.

A 30-second cinematic youth-racing story short, 2D animation style. The protagonist is a teenage rider, racing a motorcycle in a high-level competition. The overall style is hot-blooded, youthful, emotionally intense, and strongly cinematic, with a complete dramatic structure and a clear emotional arc. The whole film uses only two camera moves: high-speed tracking and slow-motion orbit. Dialogue is minimal, appearing naturally like fragments of memory, the tone sincere, gentle, and restrained, no slogans, no over-sentimentality. No sense of disaster, no negative expression, no exaggerated sci-fi. The focus is on the love, support, fight-back, and growth within youthful racing. 0s to 5s: A dusk racetrack, a high-speed intense racing opening. The camera hugs the ground in high-speed tracking of the teen's motorcycle, tires grazing the track's edge line, the bike roaring, the wind sharp, the atmosphere tense and fervent. The teen is fully focused, the setting sun drawing sharp highlights across the bike's metal shell. 5s to 9s: After entering a key corner, the teen is suddenly overtaken by a rival. The high-speed tracking keeps pushing forward, the image conveying the pressure of a dropping rank and a disrupted rhythm. A close-up inside the helmet shows a brief daze, tightening breath, slight wavering. The teen says quietly: "Can I still catch up..." 9s to 14s: The teen falls behind, breathing heavier, his emotions sinking into a low point. The race doesn't stop, the bike still racing forward at high speed. The image begins to flash back to warm memory fragments amid the high-speed riding: as a child learning to ride, someone steadying him from behind; his father adjusting his helmet, the motion careful and quiet; before the finish line, a gentle smile watching him; on a dusk slope, the silhouettes of figures walking side by side. These memories are all presented with golden backlight, soft slow motion, and a fragmented feel. 14s to 18s: The music gradually turns from oppressive to uplifting. Restrained, gentle voices come from the memories: "Don't be afraid - I'm always here." "Stay steady. And look forward." The teen's gaze refocuses, his breathing slowly steadying, his emotions shifting from wavering to resolute. 18s to 23s: The teen regains his belief, accelerating with all his strength, fighting back with precise cornering lines. The high-speed tracking conveys the power and control of the bike leaning into the corner, exiting the corner, and closing in on the lead car. The teen says quietly but firmly: "I won't stop here." 23s to 27s: Ahead appears a rising stretch of track, the teen sprinting at full speed into the setting sun. The image keeps only the sound of breathing, the engine, and the continuously rising music, with no more extra dialogue. The bike launches into the air on its momentum, entering a stunning slow motion. From deep in his memory comes one last gentle voice with a smile: "Go on." 27s to 30s: The camera makes a slow-motion orbiting close-up around the airborne bike, pushing the hot-blooded, gentle, free, soaring-upward emotion to its climax. Flowers bloom behind in a special effect, then "seedance" appears, see [reference image 1].

A one-take FPV drone first-person-view video, a 33-second continuous long take, no cuts, no jump cuts, no transitions. The shot starts inside high-altitude clouds, descending along a continuous flight line through cloud layers, mist, light and shadow, a valley, a waterfall, a lake surface, a flower field, city buildings, and a near-ground plaza. Throughout, 11 distinct independent language display zones appear in sequence, each zone showing only the corresponding single language's text, no mixing, no overlay, no adding other languages. 0-3s, [reference image 1] cloud masses naturally form the Chinese "你好"; 3-6s, [reference image 2] thin mist and volumetric light form the English "Hello"; 6-9s, [reference image 3] high-altitude water vapor and sunlight projection form the Spanish (Mexico) "Hola"; 9-12s, [reference image 4] airborne ribbons form the Indonesian "Halo"; 12-15s, [reference image 5] a kite formation forms the Malay "Hai"; 15-18s, [reference image 6] valley morning mist forms the Thai "สวัสดี"; 18-21s, [reference image 7] waterfall spray forms the Arabic "مرحبا"; 21-24s, [reference image 8] the lake's reflection and ripple light patterns form the Portuguese "Olá"; 24-27s, [reference image 9] a flower field and grassland naturally arrange into the Vietnamese "Xin chào"; 27-30s, [reference image 10] the reflected light and shadow on city glass buildings form the Japanese "こんにちは"; 30-33s, [reference image 11] the fountain spray, ground paving, and light strips of the near-ground plaza form the Korean "안녕하세요". The overall atmosphere is an early-morning sunrise, golden backlight, soft volumetric light, realistic clouds and mist, natural motion blur, cinematic realism. The camera speed starts slowly at 3-5 m/s, gradually accelerating to 14-16 m/s crossing the natural landscape, then decelerating to 2-3 m/s to hover stably at the near-ground plaza. Camera parameters: wide-angle lens, 24fps, smooth FPV drone movement, pitch transitioning gradually from -5° to -18°, finally returning to 0°; slight yaw ±10°, roll kept within 0-10°, ensuring a continuous, stable, realistic one-take flight feel.

Live-action style, fast editing, cinematic, 4K, 24fps, warm natural light, real human performance, natural lip-sync, no subtitles. The passing of a single flower serves as the core visual thread for the whole video, the flower passing quickly from one country to the next, linking different regions and people around the globe. In each scene, a character receives the flower, shows a sincere smile, and says "thank you" in their local language. The overall pacing is light and fluid, the camera full of motion, emphasizing a real street/life vibe, warm cross-cultural connection, and the passing of goodwill between people. Transition method: the previous character passes the flower out of frame, and in the next shot another character catches the flower in a new scene; or use a fast whip pan, motion blur, or foreground occlusion to complete a seamless transition; keep the flower visually continuous in frame, forming a "one-take around the world" feeling. Camera style: handheld tracking, slight camera shake, fast push-pull, a mix of close-up and medium shots, real ambient sound atmosphere, cinematic street-shooting quality. The background music is warm, light, with a sense of world travel, gently fading out at the end. Scene 1 [reference image 1] Inside a Chinese flower shop, a real, life-like scene. A girl receives a rose, looks at the camera and smiles, saying naturally: "谢谢！" The camera follows the flower handed in from the right of frame, the girl gently lifting the bouquet after receiving it. Scene 2 [reference image 2] An English street, chilly weather, the streetscape natural. A gentleman receives a carnation, smiles and nods, saying: "Thank you!" Through a whip-pan transition, the flower whips in from the previous scene. Scene 3 [reference image 3] A Mexican market, richly colored, full of bustling life. An auntie receives a bunch of marigolds, presses her palms together, and warmly says: "¡Gracias!" The camera sweeps quickly past the stalls and crowd, freezing on the moment of receiving the flower. Scene 4 [reference image 4] An Indonesian village, natural sunlight pouring down. A child receives a frangipani flower, smiles happily, bows slightly, and says: "Terima kasih!" The camera carries a bit of a running feel, the atmosphere pure and natural. Scene 5 [reference image 5] A Thai street, lively and bustling. A vendor receives a string of jasmine garlands, presses palms together, and warmly says: "ขอบคุณค่ะ!" The camera pushes in lightly, the garland swaying gently in the sunlight. Scene 6 [reference image 6] An Arab courtyard, the light soft, the setting elegant. A lady receives a desert rose, touches her chest and smiles, saying: "شكراً!" The image is quiet and warm, the character's expression sincere. Scene 7 [reference image 7] A Brazilian community, the atmosphere warm and vivid. A boy receives a gerbera daisy, very happy, saying: "Obrigado!" The camera is full of rhythm and life. Scene 8 [reference image 8] A Japanese street, an office worker receives a small flower on a bento box, bows politely, and says: "ありがとう！" The camera is short and crisp, keeping the urban rhythm. Scene 9 [reference image 9] A Korean street, a modern urban feel. A young woman receives an azalea flower, naturally clasps her hands together, and smiles saying: "감사합니다!" The camera lingers briefly on the moment of her smile, then the image softly fades out.

Keep the character, jungle environment, camera movement, composition, action rhythm, and duration in [reference video 1] unchanged. A blue-white energy bow and a glowing arrow [reference image 1] slowly appear in the character's hand, the bow gradually coalescing into form from faint electric arcs and particles, carrying a delicate flowing electric-current texture, slight volumetric light, and a stable energy contour. During the draw, the arrow condenses into a bright energy arrow at the center of the bowstring; the instant the character releases, the arrow shoots out at high speed, leaving a bright, slender, continuous, razor-sharp energy trail.

Delete the drone and the foreground track / vehicle-body edge in the lower-left of the [reference video 1] frame, and naturally fill in the deleted areas. Keep the giraffe herd, tree branches, distant savanna, golden backlit sunset, aerial perspective, and shot composition completely unchanged. The filled-in background should be consistent with the surrounding environment, generating natural sky, gaps between branches, and grass detail, with no smearing, flickering, deformation, ghosting, or jitter. Ensure the frame-to-frame temporal consistency and continuous motion of the video before and after, with natural edge transitions, the whole looking like the original live-action footage.

Replace the plain two-person martial-arts sparring video [reference video 1] with a bare-handed feeling-out style before a cold-weapon duel. Replace the scene with a medieval stone-castle platform, an ancient courtyard ground, a mountain-fortress outer platform, or a simple stone-brick dueling ground, the background being castle walls, wind, fog, a distant mountain line, the ground flat stone [reference image 1]. Replace the wardrobe of the man in dark clothing in the video with [reference image 2], and replace the man in light clothing in the video with [reference image 3]. The actions still stay unchanged, not altering the original rhythm. The AI effects only enhance the environment and texture: wind blowing the garment hems, light fog, a small amount of dust at contact points, a cold-toned metallic reflective quality, slight grain, and epic color grading. The overall style is restrained, realistic, classical hard-edged duel atmosphere. The background music is beat-synced.